My work exists at the intersection of abstraction, figuration, and immersive storytelling. It comes from a place of honesty—an emotional core that guides everything I create. I’m drawn to what lies beneath the surface: the unspoken, the intuitive, the energies that move across time and memory. I’m inspired by what resists containment: the fractured edge of memory, the raw pulse beneath beauty, the quiet spaces between forms.

Through painting, sculpture, and multi-sensory installation, I explore themes of perception, identity, and the echoes of past lives. These ideas don’t unfold as linear stories, but rather as layered emotional fields—fractured figures, spectral gestures, and spaces that breathe. Abstraction, for me, is not an escape but a form of precision, revealing emotional truths that exist beyond the literal. The female form often appears fragmented or dissolving—not in weakness, but in transformation, in the power of becoming.

Works like Le Cirque and Glass Between Us function as visual poems—emotional architectures shaped by light, sound, and movement. My background in film informs how I pace and frame these experiences. Narrative is present, but never linear. I’m more interested in evoking the atmosphere where stories are born: desire, isolation, longing, revelation.

Ultimately, I believe art has the power to uplift and offer compassion in uncertain times. I want viewers to feel something that belongs not just to me, but also to themselves—something they’ve carried, perhaps unknowingly. I want the work to move them not only visually, but emotionally, to linger like a dream or a memory they can’t quite name but know is theirs, awakening beauty in both the eyes and the heart of the soul.